Three fat mice, three fat mice,
See how they eat, see how they eat
III. Evening
You'll swear you've heard this tune before.
Or have you?
Melody, harmony, and lyrics intertwine perfectly in this 1970 gem
For six centuries and counting, the wildly popular La Follia has been a playground in which countless composers have “played,” a vehicle for endless revelry and creativity
with Clancy Newman, narrator
The great ferocity and, deep underneath it, the great sentimentality of Django Reinhardt
In one of the most well-known moments of all opera, a furtive tear is the cause of uncontainable joy
Elvis arrangements are everywhere, but a good one like this is hard to come by!
(Abridged)
I. Morning
The first movement of Clancy's piece recalls Irish folk music and is equal parts song and dance
Jasmine's arrangement showcases Vivaldi's expressive range, from lazy languor to froth-at-the-mouth madness
This tune, a dive into the world of Stéphane Grappelli and Django Reinhardt, is as flamboyant as its namesake, Ada "Bricktop" Smith
II. Afternoon
Jeremy Kurtz-Harris
III. Evening
Clancy Newman, composer/cello/audio
Jeremy-Kurtz-Harris, composer/percussion/audio
stovetop popcorn & double bass
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