In Triplicate is a trio of internationally acclaimed musicians — Jasmine Lin, Clancy Newman, and Nate Farrington — playing, arranging, and composing their own music inspired by classical, folk, jazz, and their friendship. Among them, they have recorded on over a dozen record labels and performed in over 15 countries across 5 continents.
Their trio collaboration began during the pandemic when they worked together on an arrangement of “The Canyon Wren” by Emy Phelps, improvising with each other virtually and spending over 100 hours recording and compiling tracks. They have been known to welcome repeats of such insanity.
Jasmine Lin is a “magnificent player with superb tone and strong interpretive powers” and “a violinist of remarkable intensity,” maintain American Record Guide and Chicago Tribune. As a member of Formosa Quartet and In Triplicate, faculty member at Roosevelt University and Music Institute of Chicago, Curtis Institute of Music alumna, confidante to a Cremonese violin, arranger of Grappelli tunes, prizewinner in the Naumburg and Paganini competitions, Grammy nominee, and recording artist on Con Brio, EMI, and New World Records, Jasmine likes to solicit magnificence and intensity while leaving raindrops on her nose un-wiped-off. Her biography contains precisely one hundred words.
Cellist Clancy Newman has enjoyed an extraordinarily wide-ranging career, not only as a cellist, but also as a composer, producer, writer, and guest lecturer. First prize winner of the Naumburg International Competition and recipient of an Avery Fisher Career Grant, he has performed as soloist throughout the United States, as well as in Europe, Asia, Canada, and Australia. As a composer, he has been featured on series by the Chamber Music Society of Lincoln Center and the Chicago Chamber Musicians, and his "Pop-Unpopped" project has expanded cello technique in ways heretofore unimagined. In 2021 he was commissioned by the Kingston Chamber Music Festival to produce four educational videos to assist school teachers as they navigate the covid-19 pandemic. Mr. Newman is a graduate of the five-year exchange program between Columbia University and The Juilliard School.
Nathan Farrington is a bassist, singer, and composer living in Los Angeles. He regularly appears in the bass sections of many of America's top orchestras including the Los Angeles Philharmonic, the Philadelphia Orchestra, the Chicago Symphony, the New York Philharmonic, the Cleveland Orchestra, the East Coast Chamber Orchestra, and the Seattle Symphony. Nathan was recently named the Principal Bass of the Los Angeles Opera Orchestra under James Conlon and Placido Domingo, and pursues chamber music and solo opportunities avidly.
Nathan has appeared at the Marlboro Music Festival, the Aspen Music Festival, the Olympic Music Festival, ChamberFest Cleveland, and at the Da Camera Society. Wherever he is performing, Nathan makes sure to take along his trusty guitar and pairs singing and playing operatic arias and folk songs alongside his bass playing.
In addition to his performance interests, Nathan is deeply interested in Cinema. His LA based audio company, Hazard Audio, connects top classical minds, with the artistic minds in movie and TV production. Recent projects include having co-written a score for a Martin Scorsese produced documentary called Building a Bridge, co-arranging a new score that is performed by orchestras live to picture for Eisenstein's Battleship Potemkin, and project managing a fantastic commission written by Dafnis Prieto for soloists People of Earth and orchestra.
Each week in Nate's World is new and dynamic... who knows where he'll end up next?!
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